Eleven projects have been selected by the research programme Future Challenges in the Nordics

Future Challenges in the Nordics is a seven-year research programme that stimulates research within humanities and social sciences in the Nordics. The programme focuses on the large societal challenges of the 21st century and how those challenges are understood and handled within the Nordic societies. During the spring, the programme received 449 applications for funding and now the final selection of 11 applications has been made.

Tutkimusohjelman johtoryhmän puheenjohtaja Tom Moring

Tom Moring, the chairman of the programme’s steering group.

The research programme emphasises multidisciplinarity and cooperation across national borders in the Nordics. Researchers from Finland, Sweden, Norway and Denmark will participate in the 11 selected projects, and around 30 research disciplines will be represented. Tom Moring, the chairman of the programme’s steering group, is very satisfied with the projects that are financed.

The chosen projects are multidisciplinary and they combine social sciences and humanities in a new way. They also have a clear relevance for society and represent a wide range of research disciplines. The interest in the programme among researchers was great and the applications were of such a high quality that all of the financiers chose to increase their original funding amount. In the last stretch of the application process we also got a new financier in the Kamprad Family Foundation.

The research programme is funded by the Finnish foundations The Society of Swedish Literature in Finland, The Swedish Cultural Foundation in Finland, The Finnish Cultural Foundation, and Stiftelsen Brita Maria Renlunds minne. In Sweden, Riksbankens Jubileumsfond and The Kamprad Family Foundation are funders. The aim of Future Challenges in the Nordics is for scientifically sophisticated research undertaken under the auspices of the programme to also concretely benefit society.

For more information about Future Challenges in the Nordics – People, Culture and Society, please visit futurenordics.org or contact

Christer Kuvaja
Head of Research
Society of Swedish Literature in Finland

+358 40 152 2314
christer.kuvaja@sls.fi

Out of the eleven projects, four are taking place at universities in Finland and seven in Sweden

In the project Ethnic stereotypes over time – a Nordic comparison, researchers from Sweden and Finland are studying how and why stereotypes about national minorities and immigrant groups have changed between 1955 and today. The aim is to increase knowledge about the relations between ethnic groups and by doing so enable predictions about how the relations will evolve in the future. The project is taking place at the Institute for Futures Studies in Sweden with PhD Moa Bursell as the leader. The researchers represent the fields of sociology and Nordic studies. The project was granted 670,000 euros for four years.

The project Tackling Precarious and Informal Work in the Nordic Countries (PrecaNord) is looking into how sustainable the Nordic model is considering the changes to the labour market, with more and more people having uncertain or informal working conditions. Researchers from the fields of sociology, social anthropology, economics and migration studies from Finland, Sweden and Norway are studying the existence and trends of uncertain and informal work in these countries. The project takes place at the University of Helsinki and the project leader is Associate Professor in Sociology, Lena Näre. The project was granted 950,000 euros for four years.

The project The Automated Administration: Governance of ADM in the public sector is concerned with how automated decision making can be implemented without endangering the fundamental rights, good administrative practices and trust in public institutions. Researchers from Sweden and Finland representing socio-legal research, political science, media and communication studies, science and technology studies (STS) and legal dogmatics are participating in the project, which is taking place at Lund University. The project leader is Stefan Larsson, Associate Professor in Technology and Social Change. The project was granted 950,000 euros for four years.

The project Demography and democracy – Healthy ageing in a digital world focuses on how people over the age of 75 have access to digital healthcare services. The aim is to prevent digitalisation leading to differences in health and digital gaps among the older population in the Nordics. The project takes place at Lund University and involves researchers from Sweden, Denmark and Finland working in the fields of communication studies, digital health, sociology of health and illness, social work and gerontology. The project leader is Helena Sandberg, Associate Professor in Media and Communication Studies, Lund University. The project is financed by Familjen Kamprads stiftelse and was granted 990,000 euro for four years.

The project Peripheral Visions: When global agendas meet Nordic energy peripheries studies how renewable energy transformation is imagined, carried out and contested in the northern parts of Sweden, Finland, and Greenland. The project involves researchers from the areas of history of science and technology, environmental history, social anthropology, human ecology, political science, ecology, and social science energy research. The project leader is Erland Mårald, Professor in Science and Ideas at Umeå University, where the project takes place. The project was granted 950,000 euros for three years.

The project Unpacking the contention between openness and security in the Nordic region: Digital public surveillance practices at three state borders is looking into how surveillance based on artificial intelligence and machine learning is used at the border of Sweden, Norway and Denmark. The aim is to point out the tension between openness and safety, where the increased safety risks encroaching on the integrity of the individual. The project takes place at the University of Gothenburg with Elena Raviola, Professor in Design Management, as the leader. Researchers from the areas of design studies, informatics, sociology, legal studies, science and technology studies and organisation studies from Sweden, Denmark and Norway are participating in the project. The project was granted 990,000 euros for four years.

In the project The Future of Nordic Youth in Rural Regions: A Cross-national Qualitative Longitudinal Study in four Nordic Countries researchers from Finland, Sweden, Denmark and Norway are studying young people’s life experiences, future plans and sense of belonging to the countryside with a disappearing and aging population in all Nordic countries. The research has touchpoints with history, sociology, education, cultural studies and geography. The project is taking place at the University of Jyväskylä and the project leader is Kaisa Vehkalahti, Adjunct Professor of Cultural and Social History. The project was granted 900,000 euros for three years and eight months.

The project Nordic basic schools as past, present and future sites for solving the challenges of making diverse inclusive knowledge-based societies studies how the basic school as a physical location has contributed to social togetherness, inclusion and exclusion from the 1970s until today. The emphasis is especially on how material changes and digitalisation have influenced and changed the social coexistence at school in the Nordic countries. Researchers from Finland, Sweden, Denmark and Norway are participating in the project and they represent the areas of education, history and applied linguistics. The project, which was granted 900,000 euros for four years, is taking place at Åbo Akademi and is led by Fritjof Sahlström, Professor in Education.

The project Fossil Free Futures: Divestment across the Nordic countries studies the driving forces that are motivating Nordic pension funds to divest in fossil fuels. The aim of the project is to better understand actors of change, their tools and practices in initiatives to divest pension funds. The project is taking place at the University of Stockholm and it was granted 870,000 euros for three years. The project leader is Linda Soneryd, Professor in Sociology, and the other participants are researchers from Sweden, Norway and Denmark in the areas of sociology, science and technology studies, economic sociology and climate change.

The project The Future of Diverse and Disadvantaged Neighborhoods in the Nordic Welfare States — The Voices of Residents conducts surveys among the residents in urban living areas with ethnic diversity to hear their thoughts about their surroundings. The project also wants to create methods to hear people who would not normally participate in studies. The project is taking place at the University of Gothenburg with Peter Esaiasson, Professor in Political Science, as the leader and it was granted 850,000 euros for three years. Researchers representing political science and urban geography from Sweden, Denmark, Norway and Finland are participating in the project.

The project Keeping New Money on Board. The New Nordic Wealth Elites and the Future of the Welfare Mode studies the new wealthy elites, especially IT and finance elites, and their attitudes towards the values that create the foundation of the Nordic welfare state. Will these elites challenge the Nordic model and its staples, such as high taxation and a large public sector? The project is taking place at Tampere University. The project leader is Hanna Kuusela, Docent in Media Culture. The researchers for this project come from Finland and Sweden and they are specialists in sociology, communication studies, cultural studies and business administration. The project was granted 900,000 euros for three years and nine months.

Future Challenges in the Nordics – People, Culture and Society is a seven-year research programme that stimulates research within humanities and social sciences in the Nordics. The programme focuses on the large societal challenges of the 21st century and how those challenges are understood and handled within Nordic societies. The research programme finances eleven research projects with a total amount of 10.5 million euros. The aim is that the research benefits society by producing findings that are easy for citizens and decision-makers to access. The research programme is financed by The Society of Swedish Literature in Finland, The Swedish Cultural Foundation in Finland, The Finnish Cultural Foundation, Stiftelsen Brita Maria Renlunds minne, Riksbankens Jubileumsfond and The Kamprad Family Foundation.

Art speaks from human to human

Text and photos: Laura Iisalo

Kuvataiteilija ja valokuvaaja Essi Maaria Orpana työskentelee Helsingissä. Hän on yksi neljästä vuoden 2022 residenssiapurahan saajista.

Visual artist Essi Orpana is just starting off her career, which has already entailed many new realisations and turning points. The camera has always been an essential tool for her but in the past year or so Orpana has expanded her work from photographs and videos to new materials and ways of working.

Orpana’s artistic thesis for the masters programme in photography at Aalto University, Such is the Silence, spreads to the surrounding space through wallpaper, garments, and old objects. Photographs taken in abandoned houses feature Miss Silence, Orpana wearing an old dress.

The artworks were exhibited in the Kunsthalle Turku at the end of the year 2020, and they were part of the Copenhagen Photo Festival programme during the summer of 2021. The Finnish State Art Commission acquired three pieces for its collections.

– When I was putting together Such is the Silence, I realised for the first time how I can combine different elements with photography and video. Since then I’ve been even more interested in creating spatial ambiances, and in the dialogue between the objects, Orpana says.

Residency provides an opportunity to experiment

Orpana is currently finalising her master’s thesis, which is based on her her artistic work, and the house it features. She says it was only during the writing process that she understood how much her childhood, and her grandparents’ country home have influenced the creation of the Such is the Silence artworks.

– When my sister and I were kids, we used to dress up in my grandmother’s clothes, and she told us about the various characters that were living on the farm. I have just now recognised how much my childhood, and the forming of an identity and finding where I belong relate to the way I work. I have been processing these subjects without realising it.

“If I can provoke thoughts, questions, or feelings in the observer, then I have achieved something.”

Kuvataiteilija ja valokuvaaja Essi Maaria Orpana työskentelee Helsingissä. Hän on yksi neljästä vuoden 2022 residenssiapurahan saajista.

Orpana believes that art is always personal, yet themes such as identity and mortality as an inseparable part of living are part of the human existence. That’s why they are so easy to relate to.

– It feels like current society and social media culture alienate us from real life and nature, where the biological cycle is beautiful and more present. I think about these things a lot. If I can provoke thoughts, questions, or feelings in the observer, then I have achieved something, she says.

In December next year Orpana will spend three months in Fabrikken in Copenhagen as part of an artist in residence programme funded by the Finnish Cultural Foundation. The main objective of the work residency is the opportunity to experiment, which will hopefully evolve into new artworks. Orpana would like to exhibit those in Helsinki, where she hasn’t had a solo show so far.

– I want to test new ways of combining digital photographs and videos with different materials. The artist residency is a perfect opportunity to develop my work further and to immerse in new ideas, she says.

Visual artist Essi Maaria Orpana received a grant which allows her to work for three months at the Fabrikken residency in Denmark in 2022.

Cultural Foundation grants one million euros for large-scale art projects

The Art² (Art Squared) grant supports high-level art initiatives striving to reach larger audiences. With this grant, the Cultural Foundation aims to bolster art projects that impact and touch not only art experts but also the wider public. Because the importance of proceeds from ticket sales can be expected to grow as a source of funding, the grant also lends support to the expansion of production funding bases.

Five Art2 grants were awarded in the August 2021 round:

  • ANTI Contemporary Art Festival Association: EUR 300,000 for developing a coproduction and touring operating model for performing arts festivals.
  • Jazz City Turku: EUR 100,000 for developing the Archipelago Sea Jazz festival series.
  • Puppa ry: EUR 150,000 for developing the Purkutaide model (where condemned buildings are used as art venues).
  • Foundation of the Finnish Cultural Foundation in New York: EUR 250,000 for realising the institute network’s Together Again festival.
  • Artists’ Association of Finland: EUR 200,000 for realising the Young Artists 2023 exhibition.

ANTI – Contemporary Art Festival

Kuvituskuva Shoji Katon ja Jani Mikkosen Descending-teoksesta 2020. Kuva: Pekka Mäkinen / ANTI-festivaali

A moment from Shoji Kato’s and Jani Mikkonen’s artwork “Descending” in 2020. Photo: Pekka Mäkinen / ANTI-festivaali

The ANTI Contemporary Art Festival Association, based in Kuopio, is in the process of producing six new Finnish performances to premiere between 2022 and 2023, in collaboration with the Hangö Teaterträff and Baltic Circle festivals. The performances will be seen at each of the collaborating festivals. The aim of the initiative is to attract new audiences to the festivals, to reinforce the operating conditions for non-institutional artists and the role of festivals within the Finnish art ecosystem, and to lengthen the life cycles of performances.

– Three of Finland’s most prominent performing arts festivals have combined their resources and competences in this initiative. We are convinced that it will lead to an exceptionally impactful result, which will diversely benefit artists, festivals and audiences. In this time of pandemic, climate crisis and polarised public discourse, we are incredibly grateful as festival organisers to be able to join forces and respond to these challenges together, explains ANTI Festival Manager Elisa Itkonen.

Archipelago Sea Jazz

Korpo Sea Jazzin metsäkonsertti. Kuva: Aleks Talve

A consert in the forest in Korpo Sea Jazz. Photo: Aleks Talve

Established in 2019, Archipelago Sea Jazz is a festival concept built around the attractiveness of the Finnish archipelago environment and high-quality jazz music. This extensive collaboration between cultural operators and four municipalities reinforces the appeal of the archipelago as a cultural and tourist destination, also increasing the accessibility and popularity of jazz among the general public.   

– This grant has secured funding for the Turku Sea Jazz Festival, held at the gates to the archipelago, for the Åland Sea Jazz Festival in Mariehamn, and for raising the international profile of the event concept as a whole, rejoices Jazz City Turku Executive Director Jussi Fredriksson.

Puppa ry

Heli Hassan Hamidin teos Keravalla Taiteen kotitalossa.

Artwork by Heli Hassan Hamid in the House of Art in Kerava.

The House of Art (“Taiteen kotitalo”), set up in a condemned block of flats in Kerava in the summer of 2020 as a collaboration between more than 100 professional and amateur artists, reached an extensive audience and made the concept of placing art in condemned buildings more widely known. Art and cultural activities have been housed in empty or underutilised properties as part of the Purkutaide concept under graffiti artist Jouni Väänänen’s leadership since 2016. The Puppa ry association was established in 2020 as a support and background organisation for the operations, and it has now received a grant with which it intends to modernise the art field, examine the opportunities of condemned building art, and create new career opportunities for artists. Besides running exhibitions, the association will also produce a handbook on the concept for operators in the field.

The Finnish Cultural Institute in New York

Together Alone -hanke aloitettiin pandemian aikaan keväällä 2020. Kuva: Katja Tähjä

The Together Alone project was initiated in spring 2020, mid-pandemic. Photo: Katja Tähjä

The exceptional circumstances created by the pandemic have generated a strong need for experiencing culture and art, for physical encounters and for community spirit. Meanwhile, however, the arts sector faces ever greater financial hardship. Together Again is a large-scale initiative started by the Finnish Cultural and Academic Institutes network to contribute to reinvigorating the cultural sector after the pandemic. All 17 Finnish cultural and academic institutes in the organisation are involved and their respective networks will be extensively used in reaching local partners and audiences.

– We are pleased to be able to work on a novel hybrid festival, in which artists and communities from various fields can come together both digitally and physically. The Together Alone project was initiated in spring 2020, mid-pandemic, to ease the predicament of many cultural operators. It will continue through 2021 and 2022, culminating in the Together Again Festival in 2023. The festival will tour the world via institutions, starting in Tokyo and ending in New York, via Europe, explains Pauliina Ståhlberg, Director of the Finnish Cultural Institute in Madrid. 

– This grant awarded to the Together Again initiative allows for long-term development of our artist-centred operating model. The initiative is built around community spirit and support for communities. We are delighted that the institute network can be involved in coming up with novel, ecologically and ethically sustainable models and frameworks, says Jaakko Nousiainen, Director of the Finnish Institute in the UK and Ireland.

The Artists’ Association of Finland

Nuoret 2019 -näyttely. Kuvassa Sini Kähösen, Salome Rajantin ja Maiju Hukkasen teokset. Kuva: Patrik Rastenberger

Artwork made by Sini Kähönen, Salome Rajanti and Maiju Hukkanen. Photo: Patrik Rastenberger

The Artists’ Association of Finland is a nationwide umbrella organisation for the arts, which represents three thousand professional visual artists working in Finland. The Young Artists exhibition is one of Finland’s major platforms for displaying the work of young artists, as well as one of the country’s oldest exhibition institutions.

The Young Artists 2023 exhibition project will overhaul some of the production and exhibition practices for contemporary art and present a new generation of artists. At the same time, the initiative, run through a collaboration between ten exhibition and expert organisations, will pilot novel, fair working practices for the arts: some of the new works curated for the exhibition will be created as commissions through separate production grants, or under employment contracts.

– Our aim is to bring about permanent changes in the operating models of the arts sector, responding to the great challenges of meagre artist incomes and the lack of employment structures, explains the Artists’ Association’s Executive Director Annukka Vähäsöyrinki.

Solving the wheat dilemma

Tutkijatohtori Yaqin Wang selvitti viljojen vaahtorakenteiden optimointia räätälöityjen bioprosessien avulla, ja sai väitöskirjatyötään varten keskusrahastosta 24 000 euron apurahan. Kuva: Laura Iisalo

Text and photos: Laura Iisalo

Ten thousand years ago, the cultivation of wheat changed the course of humankind. The transition from hunter-gathering to agriculture was a great success from the perspective of survival, and by now wheat is one of the most popular cereal grains in the world. It tastes great, it is easy to use in baking and cooking, and it is relatively cheap. Unfortunately wheat, especially when refined, is not very nutritious or sustainable.

There are many other grains and legumes such as faba bean, sorghum, and millet, which are rich sources of proteins, minerals, dietary fibre, and antioxidants, but those are often under-utilised because the taste and texture are inferior to commercial wheat products.

To try and solve this dilemma, PhD Yaqin Wang decided to look into making better use of these wheat alternatives in Europe and in African countries including Burkina Faso and Kenya, where most of the wheat flour is imported. She defended her thesis, Optimization of cereal foam structures by using tailored bioprocessing, in June 2020.

– The aim of the project was to help to increase the usage of locally grown grains by making high protein, or wholegrain bread. In order for people to adapt, the product needs to be quite similar to what they are used to. The problem is that when you replace more than 30% of the wheat flour with faba bean, sorghum or millet flour, the bread becomes very small and hard and not very tasty compared to regular bread, Wang says.

The big baking experiment

Wang hyödynsi tutkimuksessaan 3D-skanneria, jonka avulla hän mittasi leipomansa leivän tilavuuden, korkeuden, leveyden, tiheyden ja pinta-alan.

Wang used a 3D scanner to measure the volume, weight, height, width, density, and surface area of the bread she baked.

To improve the texture and flavour, Wang experimented with dextran. As an all natural alternative to commercial texture enhancers and flavour-masking additives, it doesnt have to be listed in the food label because dextran is not an ingredient but a product of sourdough fermentation with well-characterised lactic acid bacteria isolated from food.

By adding sucrose, Wang developed a bioprocessing method that created dextran, which functions in a similar way to gluten. In theory the method can be applied to any flour, but it needs to be tailored to optimal conditions.

– It was challenging to work with difficult flours because there was not much information available. For instance, the sorghum flour can have antimicrobial compounds, which means that when you try to ferment it, the bacteria just wont grow, Wang says.

Future of food

Paikallisen leipomon tiimi Burkina Fasossa pääsi osallistumaan makutestiin. Kuva: Dr Ndegwa Henry Maina.

A team in a local bakery in Burkina Faso got to taste Wang’s bread. Kuva: Dr Ndegwa Henry Maina.

Eventually the hard work paid off. Wang used 30-50% of faba bean, sorghum, or millet flour to replace wheat flour, and dextran producing lactic acid bacteria isolated from an African sourdough pastry.

She managed to bake bread that was close to, or even bigger than a 100% wheat bread. To see how the invention appeals to the end-consumers, Wang and her team traveled to Burkina Faso, and held a sensory test in a local bakery.

– It was successful. Im happy that they are now trying to use the local cereals in making food. Wheat ranks top on the Africas food import list and it has put high pressure on the government and food security. More effort needs to be put into the project in order to get the bread in the market but the study was very good, she says.

Wang is now a postdoctoral researcher at the Department of Food and Nutrition Sciences at the University of Helsinki, and she continues to investigate the future of food, focusing on creating plant-based alternatives for meat.

– Our main purpose is to reduce the reliance on wheat flour, and to replace it with healthier options. Often the work is very challenging but we have a big research group here, and a lot of people involved. Its a good community, she says.

PhD Yaqin Wang looked into the optimisation of cereal foam structures by using tailored bioprocessing, and received a grant worth 24 000 euros from the central fund towards her thesis research.

August grant application round results in 45 mobility grants

Acceptable uses of mobility grants include foreign residency costs, performance tours, exhibition projects and travel related to international collaborations.

This round’s largest grant, totalling EUR 10,000, went to the Finnish Artistic Dance Association, which intends to present director Carl Knif’s contemporary dance work “Sessions” for the first time in Hong Kong. The work’s themes are encounters and misses, and their impacts, and it considers whether a performance could be as confidential as the relationship between a patient and doctor.

Support for everything from lacemaking to metalwork

Kuvataiteilija Tarmo Thorstöm. Kuva: Hans Lehtinen

Visual artist Tarmo Thorström. Photo: Hans Lehtinen

Visual artist Tarmo Thorström, who incorporates lacemaking into his works, will use the mobility grant to take part in a lace festival in Girona, Spain. A local association organising the festival has commissioned a work from Thorström that will be created by the association’s lacemakers. It will then be left on permanent display in the lobby of the city’s main cinema.

Seppä ja metallitaiteilija Arttu Halkosaari

Blacksmith and metal artist Arttu Halkosaari.

My works draw inspiration from the cultural heritage of Rauma (Finland), conducting a dialogue with its long history. Despite its handcrafted form, lacemaking was so significant in Rauma that it was classed as an industry as early as the eighteenth century. In today’s technology-oriented, hectic society, lacemaking can be seen as a counterpoint to continuous economic growth and excessive, boastful consumption, Thorström says. 

Blacksmith and metal artist Arttu Halkosaari will use the grant to travel to countries including Scotland, Ireland and France to work as an apprentice blacksmith.

I want to gain experiences that I can use to teach future generations about the opportunities of this craft. Travelling from smithy to smithy as an apprentice is an old custom I want to uphold, Halkosaari explains. His eighteen-month journey will include forging, work experience and artistic work, and he will carry it out in a van-cum-mobile-home.

Mobility grant facilitates presentation of works abroad

Käsikirjoittaja Essi Aittamaa.

Sciptwriter Essi Aittamaa.

Scriptwriter/producer Essi Aittamaa’s work “Sauna”, which concerns human vulnerability and the courage to lay oneself bare before others, will be performed in Denmark. The play has an unusual setting: a gay sauna.

Valokuvaaja Heli Sorjonen.

Photographer Heli Sorjonen.

I felt that this was an excellent setting for the work, because laying oneself bare is at the heart of its message. If it can feel difficult for us to approach others and reveal ourselves even in our daily lives, within the safety of clothes and other protective layers, how might it feel in a sauna?

Photographer Heli Sorjonen, in turn, will travel to Denmark, Germany and Turkey to document the work of female imams. She will work there in late 2021 to gather a large amount of photographic and video material for the Danish-Turkish sound artist/director Nevin Tuna Erönde’s international collaborative work “Female Prayers”. The work will premiere in Malmö in May 2022.

Applications for the Cultural Foundation’s mobility grants are accepted twice a year, in March and August. All the mobility grants awarded in 2021 are found (in Finnish) here.

Major investment from the Cultural Foundation helps bring the world to Finnish stages

The aim of the “World on Stage” funding is to encourage Finnish theatres to have new, contemporary plays from around the world translated into Finnish, and then to perform them. Theatre Info Finland (TINFO) will also receive funding from the foundation to arrange special World on Stage information events for theatres, where they are introduced to recent, as yet untranslated, works by contemporary playwrights.

Less and less high-level contemporary world literature is published in Finnish. Relatively many translations are made of English-language works, but very few from other languages. The same applies in the world of drama. Hardly any recent dramatic works from continental Europe or elsewhere in the world are performed in Finnish theatres.

– Currently, the Finnish theatre world is operating in a kind of vacuum concerning translated plays, which means we don’t breathe the same air as the rest of Europe. Finnish audiences deserve opportunities to enjoy more diverse programming. We hope that the World on Stage funding will lead to presentations of how the challenges of our time are processed dramatically in other cultures, explains actor Timo Torikka, who was involved in developing the new grant.

Theatres may apply for the grant for the first time in August 2022, and annually thereafter. The total funding for play translations and performances between 2022 and 2029 will be EUR 1.2 million.

– It is important for TINFO that the funding is available to the entire field, which means both institutional theatres and independent theatre companies. We are also pleased that the funding will allow for tours, so that performances can reach audiences in various places, says TINFO Director Linnea Stara.

TINFO will gather up a team of experts, who will be tasked with reading contemporary plays from as many language regions as possible, to consider which ones could fit in well in today’s Finland.

– We want to be involved in creating a diverse theatre sector whose eyes are open to the rest of the world during this time of reconstruction.

For further information, please contact:

Finnish Cultural Foundation: Juhana Lassila, Director of Cultural Affairs, tel. +358 9 6128 1230
Theatre Info Finland (TINFO): Linnea Stara, Director, tel. +358 50 301 2723

Noora Lehtovuori, 2019, Tokyo Art and Space

Text: Athanasía Aarniosuo

Wabi-Sabi

Noora has been an admirer of the Japanese aesthetic and lifestyle ever since she was a student in England in 2009. During that time, she was especially interested in Japanese design, and her dissertation investigated clothes through a Japanese understanding of space. Years later, she was further pursuing studies, this time at the Valand Academy in Göteborg, Sweden. She realised that the Japanese aesthetic, and especially the concept of wabi-sabi, kept popping up in her thoughts and in her work. However, despite the appeal and allure, the concepts were not too clear to her at that point, and she felt a strong need to travel to Japan to investigate them further.

The opportunity arrived in 2019, when Noora was able to travel to the Tokyo Art and Space residency through a Finnish Cultural Foundation scholarship. She found in Japan a curiosity towards her research on boredom as well as an encouragement to explore the concepts of wabi-sabi through her own practice. A dialogue with the very helpful employees of the residency helped Noora understand a very important aspect of Japanese culture: the idea that in order to understand something, one must practice and experience, try and sometimes fail, yet always learn.

While Noora had initially planned to meet researchers and experts to discuss her subjects of interest, she was encouraged to experience them instead. So, she found herself participating in tea ceremonies and butoh dance theatre classes. She also purchased a rail card and visited Sapporo and Hiroshima, among other places. She visited the Setouchi Triennale and met up with local artists and artisans. She was made to feel welcome, with everyone happily giving her their time and sharing their knowledge. The other residency artists, both Japanese and international, were also eager to discuss, share, and work together.

In order to understand something, one must practice and experience, try and sometimes fail, yet always learn.

Kaori Endo, from the photographic series Sensei, 2020.

Kaori Endo, from the photographic series Sensei, 2020.

An exhibition at the end of the residency period showcased a map of Noora’s research, complete with a projected video work that combined locality with further travel. Noora’s three months in Japan were extremely busy and vivacious, and full of adventures, thus perfectly reflecting the Japanese learning experience. Did she figure out what the wabi-sabi is, in the end? “It is an eternal process,” Noora laughs. She definitely understood it better through her exploration, her participation, and confluence of events. She realised that while she can immerse herself in the Japanese culture, she will always be looking at it from the outside, from her own culture and life experience. Noora mentions discovering the writings of Minna Eväsoja after her trip to Tokyo, and especially the book Teetaide ja runous – Wabi ja sabi japanilaisessa estetiikassa (which translates as “Tea art and poetry – wabi and sabi in Japanese aesthetics”). In the book Eväsoja points out that while the wabi-sabi is often looked at as one concept in the Western world, it should, actually, be viewed as two separate notions: wabi and sabi.

While the understanding of wabi and sabi will continue throughout Noora’s life, she understands it at this point in time to mean beauty that approaches perfection through imperfection and accepting life as it comes.

Boredom

Life is Boring exhibition at Kanneltalo gallery, installation view, 2020. Macrame sculpture by Noora Lehtovuori.

Life is Boring exhibition at Kanneltalo gallery, installation view, 2020. Macrame sculpture by Noora Lehtovuori.

After her graduation from the Valand Academy in 2018, Noora has widely explored the topic of boredom. Prior to her trip to Japan, she spent some time working at an artists’ residency in Iceland. The research Noora undertook during that residency period formed the foundations of a touring exhibition titled Life is dangerous. In its 2020 twin exhibition, titled Life is boring, Noora and her collaborators investigate boredom and being bored in contemporary society in a series of events. In the exhibition Lehtovuori is looking for and reflecting on boredom in collaboration with various artists and creators: in Kannelmäki with Anne Törnroos, in Oulu with Lin Chih Tung, in Kauhava with Oula Rytkönen, and in Berlin with Hannah Bohnen. Each artist has a different approach to the theme, with different strengths, but they all have one thing in common: they see much potential in feeling bored.

The touring exhibition Life is boring was initialised immediately after Noora’s Tokyo residency, and some of the themes investigated are a direct response to the Japanese lifestyle that she experienced. For example, they practice together with curator Lin Chih Tung slow walking in the gallery setting which was inspired by Japanese butoh performance. The exhibition toured in Finland (with one event in Berlin), but there is definitely enough research material for further installations to an even wider audience. Noora recently presented the work at the Royal College of Art in London, and there is a publication planned.

Two years have now passed since her residency trip to Tokyo Art and Space, and while some of the experiences resulted in immediate reactions that became evident in her work upon her return, some others curled up like a ball of yarn that she has only recently begun to unravel. Currently, Noora is finalising her curatorial studies at the Praxis master’s programme at the Academy of Fine Arts in Helsinki. Her master’s thesis deals with dialogue in curating, and it has also been influenced by Japanese culture and thinking. Therefore, the time is perfect for going through the photos taken during those intense and lively three months two years ago.

Finnish Cultural Foundation’s residency programme is maintained and developed in collaboration with HIAP – Helsinki International Artist Programme. Photos provided by the artist.

Cultural Foundation’s October round of grant applications is now open

In 2022, the Cultural Foundation will pay out approximately EUR 50 million in grants, of which EUR 27 million is open for applications in October. Most of the grants will be given out as full-year working grants of EUR 26,000, or EUR 30,000 for postdoctoral research

There is a lot of uncertainty in the area of funding for academic and artistic disciplines at the moment. The Cultural Foundation has increased its grant sum, while keeping the criteria largely unchanged since last year, explains the foundation’s director in charge of grants, Juhana Lassila, 

Academic grants are directed particularly at doctoral theses and postdoctoral academic work. For doctoral candidates, the Cultural Foundation offers an opportunity to combine the grant 50–50% with an employment period at a university or research institution, such that put together they form a full-time further education package.

In October, the Cultural Foundation will grant around EUR 1 million to research concerning nutrition and health. Applications are accepted from the fields of natural science, pharmacy, medicine and agronomy, as well as from multidisciplinary projects. The funding will be granted to at most five research projects and is intended for teams consisting of several members.

Artists may apply for grants for work or projects, while artistic communities may apply in relation to cultural projects. Within the arts, the Cultural Foundation is happy to accept applications for large-scale, multi-year projects.

The Cultural Foundation has no specific areas of focus for large-scale projects. We are looking for high-quality projects within or between any artistic disciplines, Lassila says.

Specific grants open for applications within the October round are Eminentia, Art for Everyone and Dig It! archaeology initiative.

The Eminentia grant is intended for reflecting on and sharing one’s scientific or artistic life’s work and o the experience gained from it, to benefit others, either in one’s own field, other fields, in interaction between science and the arts, or more broadly, to promote the social significance of science or art. A prerequisite for the Eminentia grant is that the resulting work be published in writing as a standalone book, online publication or a series of articles. 

Art for Everyone (previously known as Art for Institutions) is aimed at increasing the opportunities of people in need of care or support to experience high-quality art and, in this manner, promoting cultural equality. The art financed by the grant must be directed at people whose access to art is otherwise limited. Potential locales for implementing this kind of project include hospitals, prisons, reception centres, care units for substance abusers, child welfare institutions, sheltered homes, day centres, and care homes for the elderly. The minimum application sum in the October round is EUR 25,000.

The Dig It! archaeology grant is designed to create opportunities for primary and secondary school students to take part in archaeological activities in their local area, thereby promoting their awareness of and interest in scientific research methods, their own local heritage and history in general. Archaeologists, working groups run by archaeologists. and registered cultural heritage organisations – including museums and archaeological societies – are eligible to apply for Dig It! funding. The projects are implemented in cooperation with one or more local schools.  

More information about the October Round.

Music gives voice to young people

Text: Laura Iisalo
Photos: Robert Seger

Musiikin ammattilaiset Valtteri Lipasti ja Nina Erjossaari järjestävät biisipajoja nuorille antaakseen heille mahdollisuuden tulla kuulluiksi. Kuva: Robert Seger

Music is present in everybodys life, and through the ages it has been a tool for dealing with emotions that are otherwise hard to express. Music is also a profession for Nina Erjossaari, known by artist name Neiti Ö, who is a songwriter, dramaturg, actress, and theatre director, and Valtteri Lipasti, a songwriter, singer, musician, and theatre composer.

The duo utilises music in their own expression, but also when working with young people. Erjossaari has organised songwriting camps for 12 to 18 year-olds in Kaarina in Southwest Finland for many years, and in 2014 she asked Lipasti to join.

– During the camp the youngsters get to contemplate basic human things. Music targets the emotional center, and it affects straight away. Its easy to get the youngsters involved because music is so important for them, Erjossaari says.

The co-created songs are about feelings, past experiences, observations, and the world – subjects that resonate with all participants. When the lyrics begin to take form, Lipasti starts working on the composition, and the group then gets together to further improve it. Lipasti says that being present is required when making music, which brings answers for personal questions.

– Making music cultivates and makes us wiser. It strengthens self-esteem and the idea of a self, he says.

Self-examination helps to understand the world

Musiikin ammattilaiset Valtteri Lipasti ja Nina Erjossaari järjestävät biisipajoja nuorille antaakseen heille mahdollisuuden tulla kuulluiksi. Kuva: Robert Seger

Lipasti and Erjossaari work with young people because they believe those are the ones who are in danger of dropping out of society. The duo supports youngsters by creating a safe environment where they can express themselves and their feelings without a fear of being rejected, stigmatised, or bullied.

Every year there have been young people taking part in the camp that are somehow involved with the child welfare authorities. Erjossaari has witnessed that young people who have experienced a lack of presence, love, and boundaries, often excel in song making camps and workshops.

– It makes me feel good when love and trust are present, and the youngsters can say what they think and feel. Who am I and what is the world, are basic questions in art. The self is examined in order to understand other people, the world, and humanity, she says.

When Erjossaari and Lipasti noticed the great results of the songwriting camps, they wanted to take the concept to those who wouldnt necessarily take part. Their on-going Songwriting workshops for child welfare units project began in 2020, and the aim is to publish the co-created songs, and to organise a storytelling concert ensemble.

So far dozens of young people from the child welfare units in Southwest Finland have taken part. One of them thanked Lipasti by giving him a heart-shaped rock he had found.

– It was great feedback. It is a human quest to discover what one can give to the world, and that turns real in this project. It feels very meaningful, he says.

Valtteri Lipasti was awarded an Art for Everyone grant worth 9 000 euros for the Songwriting workshops for child welfare units project. Nina Erjossaari received a grant from the Southwest Finland regional fund for a month to kickstart the project in 2020, and a working grant for a year in 2021.

A new way forward in multiple sclerosis research

Teksti: Laura Iisalo
Kuvat: Rami Marjamäki

Tutkijatohtori Tanja Hyvärinen sai 30 000 € työskentelyapurahan. Kuva: Rami Marjamäki

Supporting cells of the nervous system have been proven to have a crucial role in various neurodegenerative diseases, including multiple sclerosis (MS), which currently affects over 10 000 Finns. MS is an autoimmune disease of the central nervous system, and it leads to a loss of myelin that insulates the nerve cells, formation of inflammatory areas, and nerve damage. There is no cure but the current medical treatment slows down disease progression.

Animal testing is traditionally used in multiple sclerosis research, but animal models do not fully recapitulate the disease pathology of humans. The approach of Academy research fellow Sanna Hagman is new. She uses stem cells derived from MS patients who have a genetic risk factor for the disease. The cells are guided to specialise into different types of nerve cells, such as nerve supporting glial cells, and then exposed to an inflammatory environment mimicking that of the MS disease, to see how the inflammation affects the properties of these cells.

Postdoctoral researcher Tanja Hyvärinen has been involved in the study since September 2020. She looked at the functionality of neuronal cells, and the role of glial cells in the neuronal network, already in her doctoral thesis.

– The goal of the research is to recognise the glial cell-mediated disease mechanisms leading to neurodegeneration in order to advance new treatments for multiple sclerosis, Hyvärinen says.

Interdisciplinary cooperation enables diverse research

Hagmans research project collaborates with the teams led by Professor Tarja Malm at the University of Eastern Finland, and Professor Laura Airas at the University of Turku, and with Adjunct Professor Susanna Narkilahti and Professor Pasi Kallio, principal investigators in the Academy of Finland funded Centre of Excellence in Body-on Chip Research at the Tampere University.

The latter are currently developing a new type of organ-on-chip platform, which enables simultaneous culturing of different neural cell types. The chip can be used to look at the interaction and role of these cells in the MS disease more diversely.

The team has already managed to culture glial cells together with nerve cells, but the project is very demanding, and requires perseverance. The challenge is what makes it so attractive.

– Stem cell research is quite a new field but it will allow us to study the disease mechanisms and even tailor personalised medicine in the future. It will take time to get there because first scientists need to solve many practical challenges, Hyvärinen says.

If everything goes as planned, the cultures derived from stem cells can be used to create brain-like, humanised laboratory models, which can complement or even replace animal testing.

– The idea is that we can create universal disease models to discover what kind of changes are caused by the genetic risk factors predisposing one to multiple sclerosis. It can aid the discovery and development of new pharmaceuticals, says Hyvärinen.

Postdoctoral researcher Tanja Hyvärinen received a grant worth 30 000 for her study, which looks into the role of glial cells and their drug responses in MS disease.