CULTURE FERRY – Open call for applications

Open Call for Applications, 1 – 31 March 2023

This is a call for art content that is suitable for events directed at audiences of all ages, to take place in the Southwest Finland and Satakunta archipelago in July and early August 2023. We will accept proposals for existing stage productions, music productions, visual art content, street art, literary art and other art forms. The content may be inspired by the local environment or comment on it.

The events will take place across three islands during the peak season, inviting participation from local residents, summer residents and tourists. The CULTURE FERRY’s mission is to foster community spirit while promoting ecological values and cultural diversity. During summer days and afternoons, visitors may enjoy artworks, take part in nature-themed workshops, explore an island on a guided tour and ask questions from a panel of nature experts, for example.

We are looking for work that will blend in well with the islands’ vulnerable natural environment and their unusual performance and exhibition venues. The artworks should be lightweight and easy to transport on connection ferries, and should fall into place naturally on the local rocks, terraces or gardens, or on the sea itself.

Dates and venues

Saturday 8 July, Iniö

Iniö is a locality on the Archipelago Trail. Many tourists pass through the main island, which has an active and tight-knit local community of permanent and summer residents. Iniö comprises more than one thousand islands and islets, and the event will take place outdoors, around the environs of the Norrby guest harbour.

Saturday 29 July, Kuuskajaskari

Kuuskajaskari is a popular tourist destination, attracting 200–300 visitors every day. The island is a former army defence and training fortification, still containing old barracks and military fixtures. Besides the outdoor environment, the venues include an old artillery hall, which has previously been used for summer theatre productions and can fit an audience of 150.

Saturday 5 August, Archipelago Centre Korpoström

The Archipelago Centre offers a versatile programme and services for yachters, visitors interested in culture and the Archipelago Sea, and families with children. Its main exhibition for summer 2023, entitled Migration, considers the topic of migration through contemporary art, while the Kids’ Lab will allow children to explore life forms and water samples from the sea bed. Our event can spread itself across indoor and outdoor spaces.

Application form

Please submit your artwork proposal using the digital application form on the Regional Dance Centre of Western Finland website. The application can be filled also in Swedish and Finnish.

Information to provide on the form:

  • Title of piece or performance
  • Name of artist or group
  • Suitable venues and dates
  • Brief promotional description of the piece or performance for marketing purposes
  • Marketing picture and name of photographer
  • Duration(if applicable)
  • Compensation: salary or invoice
  • Estimated travel costa per venue (cheapest public transport option or mileage allowance if necessary)
  • Written description of completed work (max. one A4) and preferred venue
  • Links to visual and/or audiovisual materials, if available (remember to provide passwords)
  • Contact details (email, telephone, website or online portfolio, contact person for group)
  • PDF file containing cost estimate for materials, rented technology, etc., as well as a list of necessary technical equipment and other details related to erecting/displaying/performing the work
  • Other comments
  • Please note, that you have 60 minutes to complete the application. Therefore you should read the questions in advance and make sure that you have all the necessary attachments available.

Selection process and compensation

The selections for the event programme will be made by a jury appointed from among the organisers, who may consult experts if necessary. The jury may also suggest further developments for ideas. The selection process will pay attention to the proposals’ artistic quality and their suitability for the programme as a whole. Selections will be made by 30 April 2023. After that, the organisers will proceed to make agreements with the selected artists/groups. We will be in touch with all applicants.

Jury composition: Risto Kupari, Fund Officer of the Satakunta Regional Fund; Sari Torvinen, Project Coordinator; and Timo Vuorisalo, Fund Officer of the Varsinais-Suomi Regional Fund.

The selected artists or groups will receive compensation in the form of salary and daily allowances. If desired, the artists/groups may also invoice the organisers for the work as freelancers, including all daily allowances and employers’ contributions in the invoiced sum (they will not be paid separately). We will also cover travel expenses between the artists’ home addresses and the venues, in accordance with the Finnish Cultural Foundation’s travel expense regulations. At some venues, accommodation expenses may be necessary if travel connections demand an overnight stay.

Please clearly itemise all the material and technology-related costs on your application, and we will cover them where possible.

For further information, please contact:

Sari Torvinen, project coordinator
sari.torvinen@skr.fi

Tel.: +358 44 9064 764

Organisers:

Finnish Cultural Foundation’s Satakunta and Varsinais-Suomi Regional Funds.

Partners:

Regional Council of Southwest Finland, Arts Promotion Centre Finland, Regional Dance Centre of Western Finland, and the Swedish Cultural Foundation in Finland.

Individual differences may explain disparities in gaming experience

Usage of digital games is common within the whole population. Gaming has been widely studied but so far research has been mainly focusing on the pros and cons in general. Master of Psychology and a doctoral student at the University of Turku, Suvi Holm, says that it would be more interesting to study the subject as a cultural, everyday phenomenon.

– Gaming is very commonplace but parents are worried when their kids do it because there is not really a consensus on what it means and how it should be reacted to, except to be horrified. We should be able to talk about it but the research drags behind. We are still pondering whether gaming should be allowed or not when everyone is already doing it, a former school psychologist Holm says.

“Gaming is very commonplace but parents are worried when their kids do it because there is not really consensus on what it means and how it should be reacted to.”

She says that another reoccurring problem is that gamers are often seen as one group when the spectrum is wide. This is why Holm’s doctoral thesis intends to investigate the relevance of the differences in individual preferences and cognitive skills between gamers, and the affect of those on emotions and information processing during gaming.

– Gamer classification has previously been quite limited. It also needs to be taken into consideration that there is a huge variety of games too. It is the same when we talk of literature; it is a completely different thing to talk about a children’s picture book or Dostoevsky, she says and gives an example of one of her studies.

In laboratory conditions sensors placed on the hands and face revealed that people who were known to like games that contain violence reacted less when playing those type of games than people who do not like the so-called shooter games.

– The emotional response of people who like these games was lower than that of those who do not like them. The latter had a faster heart rate and they were sweating more. The study hints towards the idea that there are individual differences between people, and therefore it is not correct to say that one particular game would have the same effect on everyone, says Holm.

The popularity of digital games continues to grow in the future

Individual differences have also been detected by studying the eye movements of gamers. Some people are naturally better at visual outlining than others, which is a key ability in many video games. Those who are more skilled at multiple object tracking were able to follow a game with fewer eye movements than members of a control group who were working harder to keep up with the game.

– Individual differences might explain why gaming is easy and pleasant for some people while others consider it uninteresting or even stressful. This will have to be taken into consideration when the effects of gaming are studied in the future, Holm tells.

Holm believes that the humankind continues its course towards a more digital direction.

She doesn’t think that the popularity of digital games is a passing phenomenon, quite the opposite. Holm believes that humankind will continue its course towards a more digital direction while the amount of face-to-face communication will decrease.

– If I had to be a visionary then I would say that the usage of entertainment will diversify over time. In the future we might wear VR glasses when watching a movie and choose ourselves what happens in the film. I would like to investigate people’s lives in the future too, she says.

Doctoral student at the University of Turku, Suvi Holm, received a one-year grant from the Varsinais-Suomi Regional Fund in 2019 to work on her doctoral thesis.

13 million euros will be awarded in the January Round of Applications

Regional Fund Special Purpose Grants

Priority is given to applicants who are currently living or have born in the region, work carried out in or for the region, and cultural and development projects of special regional importance.

Spearhead projects requiring larger-than-usual funding will receive a minimum of 40,000 euros in the form of one or two grants. Such projects require fresh or exceptional points of view, content, quality, or design.

20,000 euros have been earmarked for Art for Institutions projects in the January round of applications. The aim of this form of support is to promote the equal realisation of cultural rights and to improve the quality of life of people in need of special support or care, through art. The work or project may take place in welfare and nursing institutions or other environments, the residents or users of which may otherwise have limited access to art. Possible institutions include sheltered homes, day centres, and homes of the elderly, hospitals, prisons, reception centres, care units for substance abusers, and child welfare institutions.

The Local Culture Projects grants are specified for projects that aim to preserve and rejuvenate the local culture and cultural environment, such as documenting and increasing awareness of local heritage, as well as histories, exhibitions, and events of local communities and societies.

A person engaged in full-time gainful employment is eligible for a working grant (so called passion grant) for the purpose of carrying out a scientific or an artistic project not related to their full-time work. It is possible to apply for this grant as an individual or as a part of a working group. The size of the project is not specified, but the maximum amount of a working grant per person is limited to 3 000 euros.

For more information go to skr.fi/en/januaryround Please read the application guidelines carefully before sending the application. More information about the regional funds and contact information can be found on skr.fi/en/regional-funds

The application period closes at 4.00 pm on Feb 10. Ask also your referee to submit a reference in the Online Reference Service on the application deadline date.

The January Round of Applications has begun, the Regional Funds will award a total of EUR 13 million in grants

Regional Fund Special Purpose Grants

Priority is given to applicants who are currently living or have born in the region, work carried out in or for the region, and cultural and development projects of special regional importance.

Spearhead projects requiring larger-than-usual funding will receive a minimum of 40,000 euros in the form of one or two grants. Such projects require fresh or exceptional points of view, content, quality, or design.

20,000 euros have been earmarked for Art for Institutions projects in the January round of applications. The aim of this form of support is to promote the equal realisation of cultural rights and to improve the quality of life of people in need of special support or care, through art. The work or project may take place in welfare and nursing institutions or other environments, the residents or users of which may otherwise have limited access to art. Possible institutions include sheltered homes, day centres, and homes of the elderly, hospitals, prisons, reception centres, care units for substance abusers, and child welfare institutions.

The Local Culture Projects grants are specified for projects that aim to preserve and rejuvenate the local culture and cultural environment, such as documenting and increasing awareness of local heritage, as well as histories, exhibitions, and events of local communities and societies.

A new type of grant available

A person engaged in full-time gainful employment is eligible for a working grant (so called passion grant) for the purpose of carrying out a scientific or an artistic project not related to their full-time work. It is possible to apply for this grant as an individual or as a part of a working group. The size of the project is not specified, but the maximum amount of a working grant per person is limited to 3 000 euros.

For more information go to skr.fi/en/januaryround Please read the application guidelines carefully before sending the application. More information about the regional funds and contact information can be found on skr.fi/en/regional-funds

The application period closes at 4.00 pm on Feb 10. Ask also your referee to submit a reference in the Online Reference Service on the application deadline date.

Lincoln Kayiwa can distinguish between 50 shades of granite

Finnish soil rocks! In the hands of designers, granite is no longer bound by the limitations of architecture.

There is a brand in Finnish bedrock waiting to be exploited. It is called granite, a truly precious material. More than half of Finnish bedrock consists of different types of granite. “Finnish granite is characterised by its diversity and it is aesthetically interesting. The material has great potential,” says Lincoln Kayiwa, a Ugandan-born designer. “You must see it for yourself.”

Kayiwa is presenting granite in the showroom of Loimaan Kivi. There are fifty different types of granite. It is easy to understand why a designer has been captivated by the beauty of granite. This is a stone treasure: pitch-black Amadeus patterned in purple, the dazzlingly blue-green Ylämaa spectrolite. The range of colours and patterns is immense.

The treatments – polishing, heating, and cutting – can produce a vast range of breathtaking varieties. Polished stone glows like glass and its smoothness feels strangely soft. It is clear that the red and grey granite in staircases, building foundations and sculptures is only one way of using this material.

Kayiwa became interested in Finland in his home country Uganda as a student, when listening to a lecture on modern design given by a visiting professor.  A long slide presentation of the gems of design introduced Kayiwa to such Finnish celebrities as Eero Aarnio, Eliel and Eero Saarinen and Alvar Aalto.  When studying in London, Kayiwa applied for and received a student exchange place in Finland and, after taking a master’s degree in arts and design from Aalto University, decided to stay in the country. In Finland, he also got married and established a studio of his own.

He is currently studying the potential of granite, in cooperation with Loimaan Kivi. The partnership has already produced results in a wide range of different fields.  A designer does not give orders, but is engaged in a dialogue with the other party. The people processing the stone are thoroughly familiar with the material.

“They know how thin a piece of granite can be or how an edge should be rounded.”

Jewellery is the new trend in granite. Kayiwa shows drawings of a bracelet in which a silver or golden frame encloses a black granite ring.  He enjoys combining playful elements and minimalism, a popular style in Finland. The end result is elegant and shows an understanding of the characteristics of the materials. Kayiwa does not make mass products. The context, as well as the combination of the material, object and the content are important.

Marble is held in such a high regard everywhere that there is little interest in other natural stones.  Italians have been very good at marketing marble and the country has benefited from it in many ways. There are more than 70 companies in the natural stone sector in Finland.

In Kayiwa’s view, the Finnish stone industry should invite designers and partners from different parts of the world and give them a chance to work with granite companies.

There are already many things happening in the granite sector. The new look will be on display in the Helsinki Design Week exhibition in the autumn.

Text: Taina Saarinen
Photos: Robert Seger