Roleplaying gaming is a broad concept that covers a great variety of types from computer-based strategy games to live action, and tabletop roleplaying games. The field is developing but there is a lot of ignorance about it.

– Storytelling is typically key to roleplaying games. At its profoundest gaming means settling into a role and looking at the game from that perspective. It allows the player to live someone else’s life, be in a different world, and advance the game and the story by making personal choices, says 30-year-old game developer Jaakko Rinne who got interested in roleplaying games when he was a child.

“Storytelling is typically key to roleplaying games.”

Rinne is currently studying to become a community educator at the South-Eastern Finland University of Applied Sciences, and working on a new type of roleplaying game model based on Japanese history by merging elements from traditional tabletop roleplaying games, online games, and strategic board games. He is creating the text-based online game for groups of 5-7 players, led by a game leader, and played in turns that can last up to two weeks. The name of the game, Gekokujō, is Japanese and translates as surpassing one’s superiors.

– The game is based on Feudal Japan when there were changes of power as the small rose to oppose the big. Japanese history is one of my favourite subjects which I get excited about again and again, says Rinne.

Great traditions form a solid base for growth

According to Rinne gathering the material for the game has taken a lot of time. His charts are filling up with data about county ownerships and productivities of provinces in the feudal society. It is crucial for him that the storytelling game gives its players credible and truth based information, which he will publish together with the game.

– I understand why design selection is often done when it comes to content but I want to provide reliable data based on historical events. Designing the actual game and its mechanics is easy for me – the challenge is in how I manage to chart everything and make the mathematics work. The rules of the game need to be in order, otherwise it is just going to be a story, he explains.

Rinne will be working on the game full on in the forthcoming summer when he will also put together the first test group. He hopes to launch the game at the end of summer 2021.

His mission is not to conquer the world because he is working on a niche project targeted at a small group of people interested in Japanese history and strategic gaming.  Rinne has already reached one of his goals though, when he received 8 000 euros of funding for his project from the South Savo Regional Fund.

– My main goal is that roleplaying gaming is seen as a respected and funded art form. We have great starting point for doing things in Finland; we have great traditions and good, highly educated developers who produce materials and launch their own games. I hope that the field will continue to develop and that I can get a job out of it, he says.

Jaakko Rinne, game developer and a student of community education, received a grant form South Savo regional Fund in 2020.

Text and photos: Laura Iisalo

Classical music is sometimes considered abstract and even elitist. This kind of pigeonholing makes Teemu Laasanen upset, and it is also the reason behind his decision to become an advocate for it.

Laasanen has been a piano teacher at the Mikkeli Music Institute since 2003, and the Festival Manager at the Mikkeli Music Festival since 2018. Even though he took his first piano lessons at the age of six, it wasn’t until he was in his twenties and studying mathematics when classical music won him over.

– Classical music requires focusing and quieting down, and it has been left aside in a society that prefers instant gratification. For me it opened up an abundant world and made me decide to study music after all. There has been no turning back, Laasanen tells.

The joy of music is  what he wants to spread to others. In 2014 and 2015 Laasanen organised a school tour funded by the Cultural Institute’s South Savo Regional Fund, where he played the piano and told a story he had written around Tchaikovsky’s Children’s Album.

– People often say that music cannot be explained but for me music is a sum of many art forms. Music transmits emotions and the storytelling side comes naturally to me, says Laasanen.

When the tour was over, Laasanen decided to record his story. He asked actor Risto Kopperi from the Mikkeli Theatre to be the reader, and together they created a readable and listenable music story illustrated by Marija Dergaeva. The team was awarded a grant worth 10 000 euros from the South Savo Regional Fund, and the book was published in August 2017.

The first edition sold out fast, and Laasanen already had plans for a new book based on Edvard Griegs’s lyrical compositions. He asked his writer-music educator wife Noora Nikka to take the project on.

Classical music has proven health benefits

Laasanen’s long-term plan is to build an international series of music fairytales, and to create new ways to make classical music available to the general public. In January 2019 Laasanen, Nikka, and Kopperi founded MusicFairyTales company together, and launched their latest innovation titled Interactive Satuseinä Fairytale Wall in October 2020, combining music, technology, and storytelling.

By touching the wall children can take part in the classical music fairytales through playful ways that include painting and playing a fantasy harp. The concept is created together with OiOi, a local company specialising in interactive solutions, and according to Laasonen it is suitable for music therapy and early childhood education. It could also be used in playrooms in places like hospitals, airports, or shopping centres.

So far three music fairytales have been published. The latest one is called Mary the Heart Singer, which is based on music by Sibelius and Madetoja, and created specifically for the fairytale wall. Nikka, who wrote the story, is currently working on the next story that revolves around creations by French composers Debussy and Ravel, and is funded by a six-month working grant from the Cultural Institute.

– Our main target group is children but we have had positive feedback from adults and especially from elderly people. One of our plans is in fact to create music fairytale products for nursing homes too, Laasanen tells.

In five years, if everything goes according to the plan, there will be fairytale walls in tens of locations in Finland and abroad. For Laasanen the project is more than just a business opportunity though. For him it is a way to make classical music available to many across the globe.

– Classical music has many proven health benefits; it can improve concentration and it can help dealing with all kinds of emotions. This is my way to support sustainability and perseverance through music, he concludes.

Teemu Laasanen received a 10 000 euros grant from South Savo fund in 2017 for his readable and listenable music story.